And in the seven years since "All Time Low" became a top 20 hit, he's celebrated plenty of other smashes with some of pop's A-listers from Christina Aguilera to Justin Bieber. Prior to Bellion's breakthrough with his debut solo single, he'd already made a name for himself behind the scenes by writing and producing songs for the likes of Eminem, Jason Derulo, Zedd and CeeLo Green. If the name Jon Bellion sounds familiar, it's probably because of his 2016 single "All Time Low." With its relentless "low-low-low-low-low" chorus, the electronic-fused pop confection scored Bellion his first major hit - as a solo artist, that is. Watch Lamar's full acceptance speech above, and check back at every Friday for more GRAMMY Rewind episodes.ġ0 Essential Facts To Know About GRAMMY-Winning Rapper J. Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat ). "We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar - a Compton native himself - continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams. He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Along with it, give a toast to simplicity - which was deeply in fashion in the production world of that time, and aged spectacularly as a result.īecause thanks to songcraft, attitude, and being in the right place at the right time - among other things - Maroon 5 all but guaranteed they will be loved. So, enjoy the constantly expanding and developing sounds of Maroon 5 and other 2000s favorites. But Songs About Jane remains a favorite because it displayed all their strengths in an accessible, unfussy package. These are all albums of merit, and they offer something to all sorts of contingents of Maroon 5's fan base. (The latter featured guest spots from a hoard of superstars, including Megan Thee Stallion, Blackbear, H.E.R. Like all of their aforementioned peers (Coldplay especially), the group got bigger and bolder on subsequent albums: 2007's funky It Won't Be Soon Before Long, 2010's sleek Hands All Over, all the way to 2021's vulnerable Jordi. Maroon 5 didn't exactly stay in the creative lane of Songs About Jane, but that's no slight. And arguably because of it, Songs About Jane endures. Singer Adam Levine went on to serve as a coach on "The Voice" for nearly a decade the band collaborated with the likes of Christina Aguilera, Kendrick Lamar and Cardi B and by 2019, Maroon 5 had logged so many hits that they headlined their own Super Bowl halftime show.īut arguably none of it would have happened without this very simple album, which arrived 20 years ago on June 25.Īnd those moments keep coming fast and hard - through the bubblegum pop of "Must Get Out," to the fraught "Through With You," to the all the way to the bumping, acoustic-guitar-inflected closer "Sweetest Goodbye." This simple presentation - we are a white-soul band, and here are our songs - earned Maroon 5 accolades to die for, from the GRAMMYs to the Billboard charts. Like the Pandora's box on its cover, the band's future flowed from it. So on and so forth.Ĭloser to the top of the decade, we got Maroon 5's 2002 debut, Songs About Jane, which sold more than 10 million copies and helped earn the band a GRAMMY for Best New Artist in 2003. The turn of the millennium gave us Coldplay 's Parachutes 2001 brought Train 's Drops of Jupiter 2004, Death Cab for Cutie 's Plans and Keane 's Hopes and Fears two years after that, John Mayer made a classy, soulful pivot into Continuum. That landscape was full of albums that kept it simple, using a stripped-down palette to communicate maximum information. When considering this impossibly broad question, why zero in on this particular band? Because 2000s pop/rock - the milieu that made them - is a perfect sandbox for it. But in the case of Maroon 5 's debut album, the answer is certainly yes. Is less truly more? Perhaps it depends on the context.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |